Having developed this backdrop of social and political dynamics structuring individual freedoms, Oppolzer reads failures of transition and development in such dominant institutions as education, the Church, the family, and the law. He connects these institutional readings with his textual analyses of abortive maturation through somewhat stilted readings of works by Walpole, Lewis, Radcliffe, Mary Shelley, and Maturin.
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Gothic Romanticism traces dynamics within the evolution of the Gothic in the s: a contested political field claimed by both reactionary anti-Jacobins and radicals alike. However, he makes some very welcome contributions to readings of first-generation Romantic conservatism. Some articles of general interest contributed to expanding the picture of broader Lake School sociability.
Richard J. Westall provided a series of Westmorland landscape sketches for the later published works of Wordsworth and Southey. Dove Cottage receives 60, visitors a year, and the Trust engages with the writings and works of 3, artists. In particular the recently inaugurated Jerwood Centre houses some 60, items, including original drafts of Lyrical Ballads and The Prelude , among other treasures. The expanding discourse of Romantic Judaism received some very welcome and substantial contributions this year. Scrivener illuminates the multifaceted character of the infamous moneylender John King, and his unexpected political friendship with William Godwin.
Spector also discussed in Section 3 below , is a collection of essays all addressing aspects of the occluded or overlooked presence of Jewish culture within the Romantic era, and in Romantic scholarship. Key themes of this provocative collection are diaspora and national identity, anti-Semitism and assimilation, Judaic tradition and the Jewish Enlightenment Haskalah. Toby R. Karen Weisman examines the Jewish poet Hyman Hurwitz, writing elegies for Princess Charlotte Augusta with political and nationalistic subtexts. Stanley J. Judith W.
The Romance of Gambling in the Eighteenth-Century British Novel
Page analyses Records of Israel , which dramatizes the Jewish diaspora from Catholic Spain, and their escape from the Lisbon earthquake. Fredrick Burwick gives a fascinating and rich account of the Jew on the London stage, and the successes and limitations facing Jewish actors.
- Teaching Race and Racial Difference in Romantic Reformist Fiction.
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Mark L. Schoenfield describes the successful Jewish boxer Daniel Mendoza in Romantic-era cultures of masculinity and pugilism.
Sheila A. Michael Scrivener gives a useful overview of nineteenth- and twentieth-century British Jewish authors and critics. Jeffrey C. Robinson concludes this volume with a summation of the enduring importance of M.
Tomko traces this dichotomy in The Excursion and Essays on Epitaphs. And yet, alongside the Lakers, Scott was vehemently opposed to Catholic enfranchisement. Addressing a very different tradition, Isabel Rivers and David L. Watson focuses on Isaac Watts, the most seminal early eighteenth-century Dissenting hymnodist. Ken Manley sheds light upon the role played in disseminating nonconformist hymns by the West Country Baptist minister and publisher John Rippon.
David M. Clyde Binfield discusses W. Garrett Horder, a rather unappealing and bullying hymnodist of the early twentieth century. Wyn James concludes this collection with a survey of the development of Welsh hymnody. Romantic-era journalism received some thorough scholarly analysis.
Instead, Hessell historicizes the evolution of eighteenth-century journalism, reconnecting these literary figures with the contextual conventions of journalism, which have been largely occluded by literary critics. What has often been interpreted as especially brilliant and groundbreaking reportage by these writers was often only standard procedure, or a product of contextual limitations of parliamentary journalism.
Johnsonian invention often simply reflected the necessities of mid-eighteenth-century magazine journalism. Dickens boasted that he was the best shorthand parliamentary reporter of the s. Yet Hessell suggests that in an age where lively characterization was prized above accuracy, the standards of good journalism were shifting and subtle. Notorious Facts: Publicity in Romantic England, — shows a great deal of scholarly erudition, drawing upon a miscellany of sources: newspapers, magazines, pamphlets, court reports, and cartoons. But Mulvihill queries their predominantly optimistic and progressive narratives of democratic liberation.
Mulvihill addresses the rise of English libel law and its effect upon the skulduggery of party-political altercations, and the public reports of libel trials.
He highlights anxieties about the nature of mass literacy in relation to the notion of objective truth, expressed by Coleridge, Bentham, and Kant. While Notorious Facts has many enlightening and entertaining case studies its lack of a coherent overarching narrative weakens the sense of a strong, unifying critical argument. The year saw a wealth of studies of biographies and assorted life-writings across a variety of unexplored genres. Rose kept copious journals and commonplace books detailing her voluminous reading habits.
Dennis M. Cromek, Engraver, Editor, and Entrepreneur offers an illuminating intellectual biography of a minor but significant figure of Romantic literary culture. Robert Cromek has accrued much infamy from the history of Blake biography. Here Read offers a counter-narrative to the diabolic role Cromek plays in Blakeian hagiography. Like Blake, Cromek could be fiery, impetuous, and difficult. As a youth he trained under the Royal Academician and celebrated engraver Francisco Bartolozzi.
He was successful in capitalizing upon the sudden boom in commercial engraving in the s, and like Blake he copied fashionable artists such as Henry Fuseli. To this end Cromek became secretary to the Chalcographic Society, and promoted unpublished Scottish antiquities. Cromek died of consumption in at the age of In the immediate years following her autobiographical work, Prince fell in with pro-abolitionist Moravians at the Fetter Lane Church, and was involved in a lawsuit with the Blackwoods Tory pro-slaver James McQueen.
Jackson presents an apologia for literary biography, largely on the grounds that the lives of authors were of such keen interest to Romantic readers. In the early nineteenth century the military memoir began to focus more upon the character, exploits, and emotions of the soldier-author. Yet early memoirs suffered from a lack of generic identity, and were sometimes criticized for their dull prose style.
In the post-Napoleonic s Moyle Sherer and George Gleig made the military memoir fashionable among the middle classes, relating the experiences of the professional officer class to domestic readers.
api.savedeo.com/65-idrossiclorochina-vs-plaquenil.php Although still dwarfed by Byron and Scott, the sales figures for Journal of a Soldier of the Seventy-First  demonstrated that the military memoir had become an established popular form. Therein Lackington gives some account of his time in the Honourable Artillery Company from , coinciding with the crises of the Seven Years War and the Gordon Riots. In particular Nicholls focuses upon the colonial adventures of General Gregor MacGregor, who claimed direct ancestry from Rob Roy, and used his supposed Highland pedigree to military advantage in his South American exploits.
Where most studies of child readers have privileged exceptional cases precisely because they were exceptional , Grenby searches for a more aggregated understanding of child readership. The Child Reader presents impressive analyses of collated statistical data, providing detailed narratives of publication prices and trends, and reading and ownership patterns.
Jackie C. Horne traces various shifting dynamics in writing for children across the late eighteenth and early nineteenth centuries. She also illustrates a shift from eighteenth-century traditions of moral exemplarity to a nineteenth-century emphasis upon internal emotion. Horne focuses upon two fascinating variations upon the eighteenth-century Robinsonade. Unlike their Defoevian models, progress is gauged by emotional rather than capital growth. Inflected by Rousseauvian primitivism, these tales do not depict morally conventional types, but rounded, experimental agents.
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