The remainder of the chapter traces the development of the two characters. In the process, Sabiston raises a number of engaging ideas, such as the suggestion that the relationship between the two characters is less that of potential lovers than an echo of the fluid and complementary relationship between Lydgate and Dorothea in Middlemarch. The chapter - and indeed the study as a whole - is at its best when Sabiston engages in close readings, providing rich interpretations of Eliot's language and drawing attention to the underlying unity of the novel.
Sabiston is less convincing in tying her conclusions to the overall concern of the study: if, at the end of Daniel Deronda, Gwendolen is 'offered no hope for even partial achievement in her circumscribed world' , it is left unclear how a progression from 'private sphere to world stage' has been achieved.
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Private sphere to world stage from Austen to Eliot, Elizabeth Sabiston
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